In this article I’ll look at each of the individual sounds that makes up Pyramids and either look at where the sound originally came from or how to emulate the original hardware synth sounds using software plugins. The pad on side 2 is an Oberheim OB-8… Hmm, oh yeah, the arpeggiator thing is done on the Arturia CS-80“ Bass was live, high pad sounding thing during the transition from side 1 to side 2 was ebow on my Strat. I created the main chop with some analog bell type sound off an original Juno-106 and some choir sounds from the Mtron. “I use all of the Arturia analog remakes… On that particular song the lead synth was actually from Omnisphere (played live the chain I described previously). On the production of Pyramids, Malay wrote: He also says he sends his tracks from his audio interface through a stereo pair of Neve 1073’s, because “ any software based stuff has to leave the computer and hit some kind of circuit board”, ostensibly to add analog warmth. Software plugins used on channel Orange include the Arturia Collection, Native Instruments Battery and GForce M-Tron. In a Gearslutz forum post Malay wrote that the main synths and keyboards used on channel Orange were a Roland Juno-106, a Wurlitzer, a B3 organ and a Rhodes. Pyramids was written by Frank Ocean and Malay, with production credits shared by the two in addition to Om’Mas Keith. To top it all off, the outro of Pyramids features an extended guitar solo performed by an uncredited John Mayer. The song is structured around two distinct sections which I’ll refer to as Side A and Side B, as well as a transition section that joins the two. Clocking in at almost 10 minutes, Pyramids features a wide range of sounds, including epic Mellotron choirs, funky synthbass lines and warm pads over trap beats. “Frank Ocean.” Wikipedia, 2017, en./wiki/Frank_Ocean.Pyramids is regarded by many as one of the standout tracks of Frank Ocean’s 2012 debut album, channel ORANGE. The use of a slower transition makes it easier for the listener to prepare for the sharp change in style and meaning. The use of bass in beginning contrast with the ending guitar by adding some “funk” to the intro, while the ending guitar solo is slowed down and drawn out. The combination of the slower tempos and dynamic changes in sound add to the overall mellow mood. As this realization sets in, the chorus is repeated and the music dies down to a solemn guitar solo. After the lull, the tempo speeds up again as he starts to explain his relationship with a prostitute named Cleopatra, “working at the pyramid, working at the pyramid tonight.” As he continues he expresses his love for this women even though he is her “pimp” and they cannot be together. The beginning is referencing history with subject being on a women named Cleopatra. This shift is also the turning point in the meaning of the song. Then half way through, there is dance break that leads the listener into almost a completely different song. After the first verse the tempo begins to pick up then slows down again during the chorus. When the music starts, tempo are slower giving the song a weightless feeling. He then changes the style of the song to a more modern “club” impression until the end of the song where it slowly fades away with a guitar solo.
The music becomes more faint, smooth creating that same calm atmosphere he began with. This theme continues when the story changes mid-way through the song. Ocean eases the listener into the song with a soft intro then shifts to a louder, heavier bass that forces attention to the story. DynamicsĪnother factor that adds to complex nature of this song is the variation is sound. With the length of the song (9:53) distinct change within the song creates the illusion that these two parts are completely separate songs. The first half of the song has a different chorus than the second half. The beginning starts with the chorus then leads into a transitional verse which then flows into the actual first verse. While listening this song, it is separated into parts. This song in particular is credited as “nearly 10-minute epic that touches on everything from club music to good old-fashioned slow jam R&B” (Dobbins) Pyramids was written by Frank Ocean and James Ryan Ho and was produced by Frank Ocean, Malay, Om’Mas Keith in Hollywood. He had previously made mix tapes and would post his music on SoundCloud. In contrast to my analysis of a song from the 20’s, this song was released very recently.įrank Ocean is a younger artist this song is actually from his 2012 debut album. I have recently found that I am starting to prefer relaxed music.
0 kommentar(er)
